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 Boxin' Blues
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And they
shall beat their swords into Guitars..TM

Gig From Hell
Don't Do This On Stage!
Scenario
Joe is a lead guitarist in a covers / remake band. He is a good
guitarist and cool under pressure. He plays for a band called the
Psycho Nymphos. They are a five piece band with two guitarist, keys,
bass and drums. The other guitarist also doubles as the singer. Yet
this is Joe’s nightmare. As a guitarist, this scenario should induce
uncontrollable trembling of all body parts and have you soiling your
underwear. This, is the gig from hell.
Thinking that he starts at 10:00, Joe shows up at the venue with two
hours to spare. Well, it would be two hours to spare, but Joe got given
the wrong information. The Band is due to start at 8:30 and Joe hasn’t
even unpacked his gear yet, let alone set up. They had been trying to
call Joe on his phone, but it was switched off. Joe, keeping cool,
unpacks his car in a hurry and somehow manages to get everything set up
only 10 minutes late. The crowd is getting restless and the bar manager
is furious. Joe is keeping his cool.
No sooner than finishing his finally tune up, the Nymphos start. After
another minute of working out what song to play, the Nymphos kick off
their first song. It sounds terrible, with Joe’s guitar to quiet and
bass guitar too loud. The band plays the song half heartedly while they
adjust levels and try to get things right. The crowd is wondering what
the hell is going on, and the bar manager is wondering who the hell he
hired and why. Joe is a little frustrated.
After standing around working out what to play next, the band begins
the second song as suggested by the drummer. This one sounds better
until the first chorus. Half way through the first chorus… TWANG…. Joe
busts a string. Joe makes do for the time being until the solo, when he
realizes that the guitar solo is going to be somewhat difficult with
only 5 strings. Joe fumbles his way through until the end of the song.
Joe is very embarrassed.
The band stands around for a minute or two while Joe replaces the
broken string. Once that is done they kick off into the next song. This
one goes OK, and the crowd seems to be getting into it a little bit
more. The bar manager is starting to relax, and Joe is starting to
enjoy himself.
In fact, everyone is enjoying themselves. And their beers. A little too
much. The Nymphos are starting to get a little sloppy and starting to
miss cues. Especially the singer. He is starting to miss when he is
supposed to be coming in, and slurring words. While the boys in the
band are finding it hilarious, the crowd are not. Joe is starting to
get tipsy.
The next song Joe’s guitar starts making funny noises, and the sound
starts cutting out. Eventually Joe’s guitar disappears. He randomly
stomps on some pedals and realizes that there is no power. He was sure
those 9 volt batteries were still good. Joe unplugs his guitar lead
from the pedal board and plugs it straight into his amp. Joe is getting
angry, just like the crowd and the bar manager.
Two songs from the end, the stage goes black. All the amps turn off and
all that can be heard is the drummer pounding away. After a few seconds
all of the Nymphos are standing around, looking stupid wondering what
is going on. About 30 seconds later, the power returns. The band chats
quickly and decides to start the song again. This time they get through
it all. They play there last song the few remaining patrons, pack up,
pick up their cheque and leave the bar, never to return.
Could it get any worse for Joe and his band, the Psycho Nymphos? I
doubt it. But they could have survived all of these problems by being
prepared. It may seem insurmountable, but I have played a gig where
nearly all of this happened in one night, and we survived. It’s all
preparation. This is what you need to do to survive this nightmare.
ALWAYS STAY IN CONTACT
There is no excuse to be late to a gig. With today’s modern
communications technology, everyone has the potential to be contactable
all of the time. Even if Joe got the time wrong, a simple phone call
would have solved all the problems. However, it is always a great idea
for a band to meet at a central location at some point before a show,
and travel together “convoy” style if possible. This is a sure fire way
to make sure everyone arrives on time, doesn’t get lost, or can get
assistance if something does go wrong.
The spill over effect of this is that when you arrive on time, you can
take your time and set up properly, sound check, as well as check your
equipment for problems and in general, relax before the show starts.
KNOW WHAT SONG COMES NEXT
Unless you are some freeform jam rock improv jazz type thing, you need
to know what you are going to play. Every member of the band should
know what song is coming next so they can prepare for it without having
to debate first what song to play in the first place. Have a set list
in sight for every member of the band. Know in advance what songs may
require guitar changes or change of tuning so that you don’t kick off
the tune until everyone is ready. Moments like that are easily filled
with some banter, usually between the singer and the audience.
ALWAYS KEEP A SPARE
It’s not always possible, but you should aim to have a backup guitar
ready to go at all times. This is especially true for a band with two
guitarists like the Nymphos. With the second guitarist still playing,
and your backup guitar primed for playing, it is more than feasible to
switch guitars mid song. It takes about 10 seconds and looks very
professional. Even if you are the only guitarist, depending on the song
you can sometimes get away with it as well. However sometimes you just
have to grit your teeth and get through it. Once the song is over you
can grab you backup guitar and play the rest of the set without keeping
everyone hanging around while you change a string. Change it between
sets or if you only have one set then don’t bother.
If you can’t keep a spare guitar handy and need to change strings, have
some backup material. This applies to all band members. You should have
a song that can be played when any member of the band is incapacitated.
Then any running repairs can be made while the rest of the band covers.
STAY SOBER / CLEAN / STRAIGHT
It doesn’t matter what you think, you do not sound better when you are
smashed. Sure, maybe to your ears, but not to mine or anyone else’s. A
few years ago, I remember playing a huge New Years Eve show where there
were two bands. There was us playing inside, and the main band playing
on the outside stage. The other band I had seen many times before and
they were great. In fact they were one of the most popular bands to
play this particular venue. In between sets, they were heading up to
their rooms, getting stoned and drunk, then coming back down to play
their set is a semi comatose state. We were inside, enjoying a few
drinks between sets and keeping it together. Our sets overlapped
slightly and by the end of the night, whenever both bands were playing,
inside was packed and outside the other band was ignored. The following
year, we were asked back to play New Years again as the only band. In
fact after that New Years gig we were booked regularly to play both
nights of the weekend every month (think about that for a second, we
were booked for 25% of that venues available shows). It may be fun to
get tanked and play, but it won’t get you anywhere.
NEVER TRUST A BATTERY
To this day I still cannot believe people run their effects off
batteries. It is just a disaster waiting to happen. Sure, I have
batteries in my pedals that I swap out every few months. But they are
the BACKUP for when some drunken idiot in the crowd falls onto the
stage and pulls out a power lead or something similar. Or perhaps you
accidentally leave a cable plugged in between sets and the battery
drains on you. If you do need to run off battery, work out how long
they last and change the battery in half that time. This should help
avoid unwanted failures at critical times, and make sure you have extra
batteries.
By the way, have you ever heard the sound a Tube Screamer makes when
it’s failing? It’s awful.
WE DON’T NEED NO STINKING ELECTRICITY
There is not a lot you can do about this but ride it out. Although it’s
not as bad as it sounds. When a venue looses power, you can be sure it
will be up in less than minute unless something MAJOR has gone wrong,
in which case the venue will normally shut if it is a building wide
blackout. So for the next 60 seconds, what do you do? It’s easy. Nobody
stops. The entire band keeps playing. The singer goes to the front of
the stage and starts yelling the lyrics at the crowd. I am yet to see
this not work. The crowd will start singing back. When the power kicks
back in the band hasn’t missed a beat and the crowd will go crazy. It
is slick and professional and will fire up the crowd for the rest of
the night.
If it goes over the 60 seconds just finish the song and wait. Not much
more you can do, but at least you tried.
JUST BE PREPAIRED
If you are prepared and use common sense, you can cope with any
disaster. I personally have had all these issues, besides the drunken
stupidity, happen in one night, and we survived by having an escape
plan and sticking to it. It’s not that hard to come up with your own
emergency escape route, and I hope these examples can inspire you to be
even more gig ready.
Article Source: http://www.articledashboard.com
Chris Watson is a musician from Newcastle, Australia and owns www.guitartoybox.com
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